You guys know I don't pimp books that often, but I've discovered a new author I adore. Ava Morgan writes steampunk and fantasy. She has an incredible steampunk series called the Curiosity Chronicles.
The first in the series, The Lady Machinist is a delightful, romantic-fantasy romp. Think Leia and Han in a 19th century setting, except Han's the diplomat and Leia's the genius mechanic. It's action and adventure and biting wit without everyone being hung up on Victorian manners and propriety. (Really, it's a super, major plus because I've read too many books that sound like history textbooks.) Ava does a fabulous job of relaying her story that make you want to jump to the next book, which is...
The Armored Doctor. It's on sale for $0.99, but even better, Ava is participating in The Indie Steampunk Book Extravaganza 2 over at Facebook. There's contests and prizes, and there's more steampunk authors I'm dying to check out!
Don't worry, regular readers! I'll address the Amazon-Hatchette settlement on Monday. Have a wonderful steampunk reading weekend!
Over the weekend, Taylor Swift's label Big Machine Label Group and Spotify couldn't come to terms over their contract negotiations. As a result, Swift's music is no longer available on the popular streaming service.
The backlash has been epic. People have been screaming that their access to music is being censored. The anger is on a scale not seen since the Amazon/Hatchette negotiation dispute started earlier this year. The difference is the scorn is heaped on...
What happened to the greedy distributor meme using the poor artist as a pawn in their plan for world domination? Nearly every news organization in the U.S. (and quite a few in Europe) accused Amazon of trying to rule the world by refusing to sell Hatchette's books.
But here's the funny thing. Amazon HAS NOT taken Hatchette books off their website. They are still selling ALL PUBLISHED Hatchette tomes. In fact, I can buy Lilith Saintcrow's The Damnation Affair through the Evil Empire's One-Click(TM) right now. Or I would if I hadn't already I bought it last week through Barnes & Noble because I had a $5 credit.
Nor has Hatchette pulled their books from Amazon. They continue to ship both paper and e-books to the retailer despite their pretty hostile and very public catfight.
And that's the difference between the Amazon/Hatchette battle and the Big Machine Label Group/Spotify dispute. BMLG had the balls to pull their catalog when the companies couldn't come to an agreement.
Maybe Amazon and Hatchette are more sensitive to public opinion than BMLG since they snipe at each other, but neither has taken the step of totally severing their relationship. Maybe BMLG really is looking out for their artists by refusing a contract that pays $0.006 and $0.0084 for every play.
Probably what is more disturbing is the attitude of Swift's fans. They accuse Swift of greed in removing her music from a "free" service. However, Spotifiy charges $5 or $10 per month for access depending on the package the customer selects. Also, Swift's music is still available via other retailers and streaming services. (Ironically, Amazon is one of them.)
So how does either corporate dispute really harm consumers? It doesn't. The public can buy Hatchette's books and Swift's music through a multitude of alternatives.
Is it censorship? No. The government is not halting distribution of either Hatchette's books or Swift's music. No retailer is required to sell either parties' materials. A case can be made for collusion is all retailers and services joined together and refused to distribute Hatchette's books and Swift's music. But as I pointed out above, such a scenario has not happened.
Unfortunately, there is a sense of entitlement among a certain class of consumers. They believe all art should be free. That artists only do it for the love. That's part of the backlash against Swift. She's the most prominent of BMLG's artists and part owner of the label. So why can't Swift decide what to charge for her work?
That's right. How dare she! She sings for LUURVE!
Do they also expect their waitress to serve them out of love? Their mechanic? Their doctor?
Do these people do their job without any expectation of recompense?
Of course not. Artists have every right to charge for their services as anyone else does for theirs. And maybe that's what bugs the entitled most of all. How dare someone claim they are the same social status as they are!
I love road trips when they're for fun reasons. The adventure of seeing new places. Trying out new restaurants. Marveling how similar and yet how different areas of the United States are.
But over 5,000 miles in less than a month when I'm still sore from getting the house on the market and a bad cold on top of that? Definitely not as fun.
If you're reading this on the day it posts, I should be somewhere between Houston and Memphis. Memphis, being the rough halfway point between Houston and Toledo. As DH comments every time we make the drive, it's the most boring leg of interstate on the trip.
And before any Arkansas and East Texas folks get their panties in a wad, DH is not into logging, camping, fishing or country music. Which, let's face it, is all there is between the mighty Mississippi and the Gulf Coast.
And if y'all feel the need to bitch, I'll include your crystal meth production in my list. At least the rednecks where I grew up produce something a little more beneficial like pot.
Anyway, my convertible has a new heart (engine), new brakes, new tires, and she's purring again. I'm so very glad not to be in a mini-van anymore. Before anyone gets their dander up about THAT, (1) I've been driving either my Saturn or the convertible for the last twenty-three years, and (2) I tend to forget that a mini-van has a higher center of gravity and can't take turns as fast or as sharp as a sports car. So far I haven't had any mishaps. (*knocking on wood*)
So I've got my CDs (my baby's a '98, i.e. before MP3 connections became standard) and my trail mix (Archer Farms Cashew, Cranberry & Almond--best stuff evah!), and I'm on the road. Can't wait to be writing and cooking our new place!
I just need to remember to slow down through the tiny burgs along U.S. 59. I don't need Officer Bailey pulling me over for speeding for the second time in a week.
(*sigh* Yes, I broke my ten year, seven month record for no tickets.)
The last eighteen months haven't been the greatest for me and my family. We had plans. Plans that would be best for each of us to fulfill our personal goals. And the great god Murphy laughed maniacally and did everything he could to fuck those plans up.
As I write this, I'm sitting in a hotel room hundreds of miles from our new home, waiting for my car to be repaired. Yep, Murphy has been so good to me lately. (If you couldn't tell by the dripping sarcasm.)
But all the problems doesn't mean I haven't been writing! However, it does mean that the 2014 production schedule has been officially shredded into more pieces than Iran-Contra documents.
So here's the 2015 plan:
The Bloodlines Series
I'm writing the last four books as we speak. In edition, I've re-proofed the first three books, and I'm half-way through re-proofing #4. I've already talked with someone about contracting her to format the entire series for both e-book and print starting in January. I'm also on the search for a new cover artist so there's a unified theme and style for the covers. The plan is to re-launch the entire series late winter/early spring. I'll post a chapter from the new books once a week over at the Blood Lines blog.
The Justice Series
I've thought long and hard about how I want to launch this series. There's a particular artist I want to hire for Justice Anthea's stories, but he's expensive which means I need to save my pennies. Also, I don't want leave readers hanging between books, so I plan to release the first three books, A Question of Balance, A Modicum of Truth, and A Matter of Death, hopefully around next Halloween.
I'm collaborating with another ex-attorney/fantasy writer, Laura Kirwan. (P.S. I highly recommend her book, Impervious!) This is my first time working with someone, and I'm really enjoying it! It's about a couple of attorneys who handle the legal problems of superheroes. Our projected release date for the first book is May 1st.
All the credit for the series tagline goes to Laura:
Franklin & Winters, Attorneys at Law — You saved the world. Let us handle the cleanup. For a free consultation, call 888-555-HERO.
Seasons of Magick Series
If I have any spare time next year, I plan to do a collected edition of the Seasons of Magick series.
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The money side
As far as sales go, they are down. We're talking the $200/month ballpark collectively across all platforms for all of 2014. I blame it on my lack of publishing. I've found the best marketing is releasing a new book every few months, and needless to say, my last releases under the Suzan Harden name were over Halloween week last year.
Ironically, the reason I'm selling anything at all is thanks to Nora Roberts. The title of the third book in her O'Dwyer trilogy is...Blood Magick. So my book of the same name is showing up on e-book searches, and people have been trying it out.
Alter Ego has been doing slightly better in sales because the last novel of a trilogy was released in May and she participated in a charity anthology over the summer.
I'm hoping all of this will improve once I start releasing books from both of us this winter. Keeping my fingers crossed anyway.